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Patrick Keating, Trinity College: “The Narrativization of Glamour in Film Noir”
In the 1940s, film noir borrowed from 1930s glamour photography to juxtapose photographs with text and define glamour in narrative terms as the culmination of a process of transformation. Professor Keating’s most recent publication is The Dynamic Frame: Camera Movement in Classical Hollywood Cinema (Columbia University Press, 2019.
Image: Russell Ball, Dolores del Río for The Trail of ’98, Metro-Goldwyn-Mayer, 1928
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